As global online writing grows more prominent, as opposed to country-specific traditional print writing, I’m considering the important question of which language to write in. Before you all think I’m incredibly intelligent and multi-lingual, let me just stop you. I’m not. I can speak enough German to avoid being arrested and enough French to buy Mussels and white wine. For Italian, I just wave my arms around a lot.

I’m talking about what George Bernard Shaw called “Two countries separated by a common language.” British English and American English. In particular how it relates to automotive writing for North American readers and British readers. There’s a lot to think about.

There are the obvious things that spring to mind, such as Tyre or Tire, Colour or Color. But these are fairly simple, obvious terms that pale into insignificance when it comes to other aspects, some quite fundamental. America has very different words for many, indeed most, car parts, the roads they drive on and even the act of driving compared to the UK, so if you’re writing for a global audience, what do you do? Should you write in Queens English and accept that American readers will be mildly concerned as they try and figure out what the bonnet is? And why are you putting your luggage into a boot, why not just open the trunk lid?

It's called OVERSTEER you philistine...

Or should you consider the fact that globally, American English is becoming the default setting and that automotive writers should be writing about the hood, not the engine, front fenders, not front wings and driving on pavement, not asphalt? This dilemma becomes even more important when you begin to consider Google and Search Engine Optimisation for your online content.

Here’s some more examples of automotive terms that struggle to make their way across the Atlantic and back again

We British call it understeer. At Laguna Seca, it’s called Push. Same goes for oversteer – loose to the USA driver.
They drive on the Pavement in the USA. You’d get arrested in the UK for that. We call it tarmac, asphalt. Pavement is the sidewalk, guys.
First Steer – a term used to describe those initial short drives. My First Steer was sitting on the lap of my grandfather when I was six years old. We call them First Drives in the UK
Stick Shift – That’s a manual gearbox to the Brits.
Shocks – Shock absorbers. Or dampers preferably.
Coilovers – perhaps not an American phrase, but it bugs me, so it’s on the list. I was always told that it was a McPherson Strut

In short, if you’re writing for a trans-Atlantic, English speaking audience, in my view you have to begin considering American English. It seems that the British are more willing to accept losing the U from color and dotting the I for tyre than the Americans are for trying to figure out how to open the bonnet and the boot.

Right now, I’m authoring a short series of automotive eBooks, so if you have a view on the subject, I’d like to hear it.

However, there’s one term I’m really sad to have to admit that the British have to take responsibility for. Thank you Mr Clarkson for the term Flappy Paddle. May you take it to your grave.

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The image of Sir Stirling Moss and the beautiful blonde model continues to generate traffic to my inbox, with quite a few people asking how to buy a print for framing, with the odd request for a shot with Sir Stirling removed, just the model, thank you…

So in response to a demand that I hadn’t actually considered may be there, here’s your chance to own a copy of that image. Printed on metallic photo paper at a generous size of 20″x30″, the prints can be ordered online and shipped globally. This size will also make framing very easy, from a simple WalMart type frame, to something from Ikea or even a custom framing service will all find this dimension simple to cater for. Click this link, or the image below.

Sir Stirling and That Blonde - Now In Print....

PLEASE NOTE. The images you’ll see in the gallery have a watermark on them, but this will not appear in your print. The title text and the border do appear on the image.

Ordering is simple. Just click the thumbnail to display a larger preview, then click ‘licence or buy print’ to add to your shopping cart, then follow the instructions to the checkout. Payment is via a PayPal gateway, but you DO NOT NEED to have a Paypal account to use it, you can simply enter your credit card details and pay online without creating a PayPal account. We can ship to pretty much most countries and you’ll receive your print within around one week if in the USA and two weeks for the rest of the world.

There will be more prints added to the selection based upon my personal favourite images, but if you see an image you’d like to order a print from, let me know and I’ll see if we can arrange it.

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So, those of you (and there were a great many) who read my previous post about the Stirling Moss and the Blonde stolen picture may well be wondering what on earth happened after the dust settled. Well here’s the story…

Within hours of the post going live UK time, Jalopnik in the USA were in my inbox with a big apology. My first thoughts were, “Here we go, another cut n paste, boiler plate response”. But no, this was from Jalopnik editor Ray Wert with some interesting info. It seems that Jalopnik know full well how Flickr works. And indeed how copyright and intellectual property works. You see, they’d seen the image on Flickr, with All Rights Reserved on it. And indeed, they contacted the owner of the Flickr image page, believing he had the rights to the image, Ray asked for permission. And it was forthcoming….

Yes, it's my image....

So Jalopnik, quite rightly, thought that they were publishing totally within the law and showcasing what they thought was a great shot, giving credit to the great Mr Galanos. Only, of course unknown to them, they were getting stolen goods.

The second interesting part of the story is that several other photographers contacted me with tales of similar experience with Mr Galanos and his liberal attitude to other people’s work. They also had issues with him and had to contact Flickr to get him pulled into line. So if you’re a photographer, you might like to check out his feed and see if there’s anything there belonging to you.

As for Jalonilk, like me, they seem to be glass half full guys. Editor Ray came up with an offer to run the image again, this time with a fully paid up article from me telling the real story of the picture that day, the bright red 250F Maser, the gorgeous blonde, the sunshine and Sir Stirling.

I’ll drink to that…

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Why Did Ferdinand Fail? Or Did It?

by Neill on March 9, 2012

in Opinions

Click here to read. Sadly, no..

At the beginning of this year, Ferdinand launched. A Porsche marque publication it was claimed had been designed for the digital platforms we’ll all be using soon. Early signs were good, the page layout wasn’t the usual A4, but an aspect ratio that actually worked on screens. Their Twitter feed was declaring that the number of subscribers was leaping upwards into the tens of thousands, something that many printed niche car titles would be envious of. There was, however, no video content, 360 VR views and other things that you’d expect a digital publication to have. The content itself was much the same as you’d get in a normal printed magazine, but with the addition of hyperlinks for advertisers.

I’ve written before about how I feel video is so important [click to continue…]

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An interesting shoot last month via my friends at Ice Driver in Sweden was this newly refurbished hotel. Bruket is based in the hamlet of Mitandersfors, in a mountain area to the west, literally on the border with Norway. Purchased by 2003 World Rally Champion Petter Solberg, the hotel is a traditional log timber building, the type I’m very fond of. It’s refurbishment included the traditional redwood colour exterior and pastel shades inside.

Indeed, were it not for it’s commercial stance, Bruket would probably make a really nice homes and interiors feature at some point. Certainly, this particular part of Sweden is populated with a great many timber homes of considerable age and significance, including some that wee a refuge for the King of Norway and Norwegian resistance fighters during World War Two. There’s a whole raft of ideas for interesting stories in the small area.

Swedish feature story  hotel

The week leading up to departure and we’re constantly checking Weather Pro for the nearest town of Torsby. It’s showing dull, overcast [click to continue…]

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Ayrton Senna, By the late Russell Bulgin

Russell Bulgin - Ayrton Senna, Rally Driver

I’ve just finished reading a great PDF download by automotive writer Mel Nichols entitled “Literary and international influences in automotive journalism” He presented the paper last year at Cardiff University. It’s available as a PDF download from this link.

In it, Mel tells the timeline of his own career, from a student writer in Tazmania, all the way through to becoming editor of Car magazine and other very well known titles.

It’s around 19 pages of A9, so grab a coffee and read it, as he reminds us of some of the great automotive writers over the last four decades and analyses what it is, or was, that made them so successful. He touches on Jeremy Clarkson’s argumentative style of writing and what inspired him to take that route, plus stories about David E Davis, Steve Cropley and LJK Setright.

As a young student at college in the early 1980′s, I can recall reading many road trip stories and test reports, being inspired by the writing of Car Magazine and Fast Lane. Somewhere in the attic, [click to continue…]

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Remember The Ghost Ships?

by Neill on March 5, 2012

in Aerial Photography

Back in 2008, there was controversy on Teesside when a selection of ex-US Navy warships arrived for disposal. Controversy due to the fact that while they were bringing work to the area, they also brought along a significant amount of Asbestos as part of their structure. This shot is what I call a ‘target of opportunity’. Not a planned shot, just grabbed in the process of shooting another client’s project.

Aerial photography of ships and industry. UK based aerial photographer

Ghost ships - Ex- US Navy ships awaiting dismantling on Teesside.

These types of shots often present themselves when positioning for a shot, whether flying fixed wing or helicopter, so it always pays to have the camera wide awake and ready to shoot. I’ve not flown over that location in a while, so not sure what’s left now. For those interested in the technical details, shot on the Canon EOS 1DS, with 70-200 f2.8IS telephoto.

As for the ships, as far as I know, the company eventually got permission for the work from the local authorities and they were broken apart and disposed of.

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Guess The Furniture – Sweden Style

by Neill on February 14, 2012

in Features / Stories

Sorting through some recce shots for some house and property features, I stumbled across this shot. Taken in Sweden a couple of years ago on a recce for a project that didn’t progress, it’s an odd looking object.

Guess The Object?

But what is it? It was free standing, situated in the central hallway / staircase area of an old Sweden house, formerly the residence of a timber mill foreman. Despite being made from timber in the traditional Swedish style, the house dates back to the 1800′s. I love the feel of traditional log and timber homes, the have a natural warmth in winter that I find relaxing, yet are [click to continue…]

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Can Road Safety Be Beautiful?

by Neill on February 12, 2012

in Opinions

Just a very brief post to share this with you. This is a beautiful, short and thought provoking commercial. Far too often, road safety commercials are dictatorial and accusing. This one by TV commercial director Roni Kliener makes the point very well.

Glassboy from roni kleiner on Vimeo.

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So today, this is a personal post. I’m feeling cross and also depressed. I’m generally a pretty upbeat kind of person, not given very often to the ‘glass half empty’ attitude. Whether I’m working on location or just going about my day to day stuff, I think that life’s too short. I’m a glass half full kinda guy.

EDIT – after reading this, take a look here at how the Jalopnik guys stepped up to the plate and sorted this mess and how they were also victims in all this

So this week, someone gave me the heads-up on a new way of tracking unauthorised images. With time to spare, I used it. And was dismayed. [click to continue…]

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Blast From The Past…

by Neill on February 2, 2012

in Features / Stories

… was the headline for this feature on a car I had fond memories of. Back in the 1980′s it was a quick machine, holding class records at pretty much every speed hillclimb course in the UK, driven by Tony Bancroft. Total 911 Magazine gave me free reign to write about the car, then and now, once I’d tracked down it’s current owner.

911 Turbo double page spread.

It’s great to see images used large and T911 designer Neil Freestone did a great job, with three full bleed DPS pages. Watch out for it on a race circuit in the UK or France this year and read the full story in Issue 84 of the magazine.

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This shot could quite easily be mistaken for something it’s not. Shoot south into the sun in the early part of the year, make sure there’s a power station chimney in the shot and you have the perfect aerial stock picture for use in greenhouse gas stories and many other topics. But that’s not the full story.
Aerial photography showing inversion layer and polution trapped close to the surface
This is what’s known as an inversion layer. An inversion is a deviation from the normal change of an atmospheric property with altitude. It almost always refers to a temperature inversion, i.e. an increase in temperature with height, or to the layer (inversion layer) within which such an increase occurs. An inversion can lead to pollution such as smog being trapped close to the ground, as you see here. So yes, what you’re seeing is indeed polution, though it’s not all from the power station, instead it’s a whole soup of stuff created by all of us going about our daily lives. Because of the inversion, none of the polution can escape and it’s trapped until a weather front moves in.

Inversions are the bane of the life of aerial photographers. Not always apparent to a casual bystander on the ground, it can sometimes take some explaining to The Client when they’re enjoying some sunshine and call to ask how the aerial photography they commissioned is coming along.

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It’s hard to believe that just a few months ago, we were sitting in some sunshine photographing this car. It’s a genuine ALMS series car from 2002, finding refuge in the UK as a track day car and potential fun investment by it’s owner. Watch out for it on track days in the UK this summer.
First published in Total 911 Magazine, the car attracted fond memories from North American readers. As I’m archiving away some material, with grey clouds skidding over the rooftop, it feels like it’s going to be quite a while before the sunshine is out and we’re able to venture out to some of the places we’ve planned this year.


Still, we’ve Classic LeMans to look forwards to and if we can manage it, I’ve a sneaky need to visit Tour de Ramparts in Angouleme,an event I’ve heard big things about in recent years. Roll on summer.

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What Makes The Perfect Photographer’s Jacket?

by Neill on January 27, 2012

in Gear

When you're standing on the ice, waiting for the snow mobile......

I glanced in the mirror as I left home the other day and remarked to myself, “You really need to get a new jacket for work, Dude”. Location photographer’s clothing that works well is hard to find and everyone will have their own preference. I’ve had a combination of two jackets that I’ve used for quite a while now. For ultra low temperatures and high winds, my six year old Rab Extreme has been superb. -25c, standing on a frozen lake on Sweden while rally cars blast by is no problem for it. The reinforced edge to the removable hood is particularly welcome in that environment.

However, that’s a relatively rare set of conditions and this Rab’s drawbacks are significant. First off [click to continue…]

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Which is the winner? GT3RS vs Ferrari 458 Italia

Two cars that have been written about so many times within the last twelve months that you must wonder what else can be said about them. As I write this, I’m not on the Number One tier of motoring writers who are given the very first opportunity to drive the latest releases before everyone else. That situation is changing rapidly and to those manufacturers I am very grateful. But when a pair of cars as iconic as these two have been driven across most continents by hundreds of motoring writers globally, what did I think I had to say that others hadn’t? [click to continue…]

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Everyone who’s into Porsche loves the final, iconic, aircooled 993. Values are rising ever upwards and this one is rising more quickly than others. Feature about the original Porsche 993RS factory development car that was mysteriously sold to the UK, complete with all the original factory road books documenting it’s early life

“If you’re one of the very lucky few people in the world who has a 993RS parked in the garage, the chances are that this is the car you have to thank that it drives they way it does. Chassis 9009 spent it’s early years working away, talking to the Porsche test drivers so that your 993RS drives the way it does. Or was it used for something else entirely that we’re not yet privy to? One day Chris hopes to find out…”

Published in Total 911, 2011 [click to continue…]

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The Phase One and Action Photography

by Neill on January 13, 2012

in Opinions

I’m a huge fan of Capture One software for processing RAW files. For sure, Aperture and Lightroom may have more ‘bling’ and Capture One doesn’t have image archiving without buying the additional Media Pro, but I love the files it produces, having used it since 2003 when I moved to digital with Canon DSLR’s.

This year, I plan to try out the Phase One camera system. I miss my Mamiya 645 film system and as the latest DSLR’s are going for higher and higher frame rates, that’s not what I need in my work. On location, I rarely need more than 5 frames per second, even when shooting aeiail photography or car to car, plus this post by David Hobby voiced what I had been privately thinking myself this past few months.

Take a look at this video showing photographer Eric Schmid shooting wakeboarding action, managing just fine with a Phase One 645 system.

There’s only one part of this video that makes me cringe. Helicopter pilots and aerial photographers may want to look away at around the 1:02 mark. A Robinson R22 at low altitude, low speed, over water is not my idea of fun at all. For that shot, I’d be a damn sight more confortable with a turbine for the extra reliability and power under the pilots left hand….

A Phase One camera system in an aerial photography environment should produce some stunning results, even without the latest IQ180 back, so I look forward to seeing what this might bring clients looking for very large files for advertising and display.

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Dead Metal – The A1 Lightning Jet

by Neill on January 10, 2012

in Articles,Dead Metal

Lightning Jet decaying beside the A1 near Newark

I haven’t been down the main A1(M) road past Newark the UK for a while, but last week, I was passing on my way to a photo shoot. I expected to see the usual sad sight of the derelict Lightning jet interceptor that’s been sitting there as long as I can remember, but when I glanced left, an empty patch of land was all there was to see. Then I recalled someone mentioning that it had finally been removed. These shots were taken way back in 2004 when I made the effort to stop and shoot a few frames from the hip, unsure if anyone owned the aircraft or whether photography would be resented.

If you’re unfamiliar with the story, here’s how I recall it, [click to continue…]

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Step Away From Your iPhone

by Neill on January 8, 2012

in Opinions

iPhone - Ferrari 358 Italia

This interesting article by Nick Bilton of the New York Times accurately describes a compulsive addiction many have to iPhones and similar devices. Indeed, I found myself nodding in agreement as Nick describes how he habitually reaches for his iPhone many times within an hours period, even though he didn’t have to. Indeed, the compulsion by many people to photograph everything on the iPhone, then instantly broadcast it across Twitter, Facebook, Google + and so forth can be seen everywhere we go.

I’m a great believer in Chase Jarvis’ mantra of The Best Camera is the one you have in your hand when you see the image, but sometimes, it’s best to just sit and take in the whole scene, instead of trying to frame it through a tiny LCD screen. And that goes for other things to. Over the Christmas period, I zoned out of my social media connections and deliberately resisted the temptation to swipe my screen every time there was a pause in a conversation, or the little device ‘bonged’ a push notification. I did the same with my email, only checking it once or twice a day and having Mail turned off in between. This removed the time thief temptation of breaking off what I was working on to read emails that could wait. And I felt better for it.

iPhone is a great personal device and I’ll be writing more shortly about some of the useful apps I use for my work and others that I find entertaining. But just like Nick, while I won’t be giving up my iPhone and other technology entirely, I will be setting it down in another room for much longer periods than before. Twitter can wait for an hour, can’t it?

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This is a very simple, but strangely moving video. Taking clips we’ve all seen before and using that editing skill that the BBC seem to have a unique handle on, creating a compelling video. Watch this an enjoy the voice of Sir David and the camera work of some of the world’s finest.

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